Wisdom's Sensory Harmony

Light

Click for a scientific introduction to Light.

To compare and match vibrations of different types, they must be converted into the same mode. The modes have different speeds and wave mechanics and are not directly proportional. Therefore, to compare one to the other, one must be converted into the mode of the other. For example, to convert from Light to Sound (Mode 2 to Mode 1), it is necessary to divide the Light Frequency by 1.5, or a musical 5th. Esoteric literature and modern new-age thought have determined that the colors of light and the music notes of sound directly relate to each other such that the color Red, at the beginning of the octave, corresponds to the C note of sound. This relationship continues on through the octave. However, the beginning of the natural scale - one, if taken up 49 octaves to the range of light corresponds to the color Lime, and therefore this shade actually begins the octave of visible color. The number one has the following correspondences with color and sound:                            Color Adjusted       Music Light Color        Note To Sound        Note     Lime                  Magenta                C     Green                Red                        C#     Turquoise          Red/Orange           D     Blue                   Orange                   Eb     Indigo                 Gold                       E     Violet                 Yellow                     F     Magenta            Lime                       F#     Red                    Green                     G     Red/Orange      Turquoise               Ab     Orange              Blue                        A     Gold                   Indigo                     Bb     Yellow                Violet                     B In addition, the frequency of Middle C in the eighth octave is 256 cycles per second, and if taken up 41 octaves into the range of light, it also corresponds to Lime. This discrepancy is resolved by using the shift conversion from sound (mode 1: longitudinal waves) to light (mode 2: traverse waves). This conversion factor is a musical 5th. Multiplied by the ratio of a 5th or 1.5, the music note shifts to G, and this taken up 41octaves, corresponds to Red and Green. Perhaps this is the answer to the discrepancy. Some researchers suggest the reason for this difference is that the natural octave does not exactly double and either falls short, or goes slightly over a doubling of frequency at each ascending octave. However, using all the known “diesis” ratios known such as the “Great Diesis” of 1.024, it does not appear possible to create enough mode-shift to make lime become magenta, or to make green shift to red.

Light travels as traverse (passing across, over, or through) electromagnetic waves on electrons at infinite speed. The Space/Time constant is equal to zero because the speed of light is infinite. Light is omnipresent and exists everywhere in the universe as the unqualified presence of the Absolute and purposive first cause. However, everything else is also moving. The speed at which any individual component is moving causes it to have relative awareness of distance and time. The combined concentric motions of the earth, sun, star cluster, constellation, nebula, star cloud, star drift, galaxy, and super-galaxy equals approximately 186,280 miles per second. We are already traveling at the so-called speed of light. Going faster than this speed causes time to slow down until it eventually stops at infinite speed. Infinite speed would be the equivalent of being everywhere in the universe at the same time - omnipresence. Light can be converted to sound through the process of sonoluminescence created by ultrasonic cavitation. According to the rules of vibrational mode transfer, the frequency shifts between modes by a musical fifth or 1.5. Light frequencies must be divided by 1.5 then reduced 40 octaves to convert them into sound frequencies in the middle C octave.

Upon striking any surface, Light differentiates into various colors. The colors of light when striking a surface are determined by: The Frequency signature of the original ray before striking the surface. The Angle of Incidence with which the ray strikes the surface - Radian Angle. The Absorptive, Refractive, Reflective, and Transmitive characteristics of the medium through which the ray is traveling before and after striking the surface – Resonance of the medium. The Absorptive, Refractive, Reflective, and Transmitive characteristics of the surface – Resonance. The Absorptive, Refractive, Reflective, and Transmitive qualities of the eye of the observer - Resonance. When a ray of white light is bent or refracted by a sphere, it differentiates into the seven colors of the rainbow. The angle of incidence with which a light ray strikes an object causes the refraction to produce a different shade of color. Color is more complex than just the seven major colors of the rainbow. Each color has a nearly infinite number of shades. Each shade has a specific frequency. For example, the color referred to as red is all of the frequencies between approximately 4.15 x 1014 and 4.59 x 1014 Hz., and depending upon how many decimals are included, there could be an infinite number of points in between these two limits with each one representing a slightly different shade. Light absorbed into a surface causes it to disappear as colored pigment. The light reflected away from the surface appears as colored light. Light and pigment are opposites. The pigment is the frequency signature absorbed, whereas the light is the frequency signature rejected by the surface. The color of clothing, for example, reveals the frequencies rejected and therefore the corresponding color of light. The corresponding pigment is the absorbed frequencies and therefore complimentary, but opposite, of the light color. These two relate to each other by a musical fifth. To convert one into the other, it is necessary to multiply pigment or divide light by 1.5, which converts either one into its corresponding opposite. Light is received by the human eye and sent to the brain for processing. The eyeball and its nerve cells are connected to the optic tract that carries the visual input to the occipital lobe of the brain, as well as to the third ventricle for innersight. Peripheral vision is the key to being able to observe human energy fields and other subtle energy phenomenon.